With the Oscars happening this Sunday, we’re rounding out our Indie Intros: Oscar edition with a film from Ava DuVernay, director of the MLK biopic, Selma. Selma is nominated not only for Best Motion Picture, but also Best Original Song for “Glory” performed by Common and John Legend.

DuVernay is no stranger to Hollywood. As a publicist for over ten years, she helped promote such films as I’Robot, Man on Fire, Spider-man 2, and Spy Kids. She also has the honor of being the first African-American female director to be nominated for a Golden Globe as well as win Best Director at the Sundance Film Festival.

“The Door” is a short film that tells the story of a woman who is struggling with a failed marriage or a marriage that never was or a jilting at the altar or one of a hundred other scenarios that have been covered in countless romantic comedies. The reason is never given and honestly, who cares. Truth be told, it really doesn’t matter. “The Door” is a film that focuses on how friends and family can come together to help a loved one cope with the pain, rather than spend time to tell a back story that really isn’t that uncommon. Each of her friends and family has different methods of bringing her out of her funk, my favorite being her second friend who suggests the tried and true method of going out and dancing your ass off. Each method essentially heals a different part of her, picking up the pieces of who she once was.

“The Door” doesn’t rely of dialogue to tell the story, but rather uses visuals and music to reveal the plot. Much of the film seems to borrow a lot of its look and feel from music videos, so much so that I was fully expecting Mary J. Blige to come into frame and drop the hottest single of 2002. Instead what we get are visuals that tell us just what we need to know to construct a story blended with carefully selected music that helps the audience connect with the mood of the character. One scene in particular shows us exactly how important music is to the main character and her healing process, when a friend takes her to a concert.

What “The Door” ultimately accomplishes is telling a story much like the old silent films of the 20’s, but modernizing it to great effectiveness. One look at the film will tell you that production value wasn’t a problem. DuVernay clearly makes a conscious choice to tell this story via other means than words, proving something I’ve always believed, that dialogue in film is not nearly as important as many give it credit for.