Ever see a single shoe on the side of road and wonder, “Who leaves a shoe? I mean, just one shoe? If you’re going to go gutter-stomping shoeless, why not just commit and rock both those knee-highs for everyone to see?” Well, Spike Jonze attempts to answer this in his short film “How They Get There.”
While not exactly his intro into filmmaking (Jonze was a well established music video director whose contributions include such classics as “Sabotage” by the Beastie Boys), it was with this film that he began to flirt with cinematic storytelling devices that would eventually lead to his first feature Being John Malkovich.
The film stars Mark Gonzales, a legendary skateboarder, who was the first to Ollie off the Wallenberg Set, a nineteen foot long, four-foot tall series of steps. For those of you not familiar with skateboarding (like myself), it means he jumped his skateboard really far and landed at a much lower place than where he lifted off without killing himself.
It also stars Lauren Curry, who I’m convinced is one of the many Zooey Deschanel clones that have been running around Hollywood lately.
The film is simple enough. Two strangers spot each other from across the street and begin to flirt by imitating one another. This comes to an abrupt end when Mr. Mimic is hit by, what might be, the drunkest driver ever and absolute chaos is unleashed. The girl seems horrified at the disaster she’s caused, and yet it begs the question, how many other people have lost their lives entranced by these Deschanel Doppelgangers? What is their true motive? I’m sure a quick analysis of the amount of innocents killed while listening to “Teenage Dream” will produce some startling findings.
What “How They Get There” shows is that you don’t need to get overly complicated to make a good short. In the two minutes of this film we are given enough of what we need to know, character-wise, to understand the type of guy the main character is. Little things, like a trip off the curb, show us that he’s kind of a klutz. The haphazard way he disposes of his milk tells us that his focus is easily drawn, causing him to shirk common sense habits such as using a damn trashcan or looking both ways before crossing the street.
With what could also be considered a Micro-short film, the two-minute runtime is refreshing. It shows that length doesn’t always equal content.