Before the recent success of Fox’s Deadpool, Tim Miller had only directed two animated short films. His debut ‘Aunt Luisa’ won him and co director Paul Taylor a Jury Award at the Ojai Film Festival. His second film, ‘Rockfish,’ won an honorable mention also at the Ojai Film Festival for Best Animation and came in second for Best Animation at the Palm Springs International Shortfest.
Since then, Miller worked his way into Hollywood, namely for visual effects, as an Assistant Director for Thor: The Dark World’s opening sequence and as a Creative Supervisor for Scott Pilgrim vs. the World.
Miller’s career proves that just because you specialize in other areas of entertainment, such as animation, doesn’t mean you can’t transition those skills into live action film as well.
In ‘Rockfish,’ we follow what appears to a miner and the first incarnation of Puppy Monkey Baby from this year’s incredibly disturbing Super Bowl commercials. All of this takes place on Tatooine or maybe whatever world the video game Borderlands is set on.
Miner and Monkey-Alien are blue collar guys doing their blue collar thing, digging a large hole and running a long metal wire down it as space miners do. Everything seems to be going according to plan until the wire hits a snag and the entire crane contraption attached to it goes for an incredibly destructive ride.
‘Rockfish’ attracts audiences with this vagueness; luring audiences by their curiosity and slowly answering their questions through visuals rather than exposition. As we hope for our heroes to survive this dangerous predicament, we are also hoping the outcome will reveal a little more about their characters. In this case, we find that the miners aren’t actually miners at all, but hunters of a different sort. I won’t give away the ending, but all is made clear in the end.
Although the animation probably looks dated by today’s standards, the low-res shouldn’t undermine the way the story is revealed. For any of you that have seen Deadpool, this might have actually worked out in his favor, as the kind of bare bones animation used to make Colossus kind of works to reinforce the tongue in cheek feel the movie manages to create so well.