I’m back after a bit of time away from the keyboard. I apologize for my lack of posts over the last few weeks. I had to take a bit of time to devote to some other projects of mine that should be just over the horizon. This includes a new short film from yours truly as well as a foray into some audio entertainment.
With that, back to some discussion on short film.
I’ve been recently addicted to HBO’s Togetherness which just finished its first season and was created by filmmaking siblings Jay and Mark Duplass. If you haven’t seen this series, I would highly recommend it, especially if you’re in a relationship or marriage and want to simultaneously laugh and cry at the idea of long-term monogamy.
Jay and Mark have both directed such indie fare as Cyrus and Jeff, Who Lives at Home. Mark you may have seen from such film and TV as The One I Love, The Mindy Project, The League and this year’s The Lazarus Effect. Many of their films deal in similar territory as Togetherness, focusing on the hazards and roadblocks found within relationships and the neurosis that stems from them.
“This is John” really caught my eye for the clear lack of production value. It really looks like this film could have been shot on a Sony Handicam using only its in-cam mic and ambient lighting. Still, a simple plot combined with good acting manages to make this a smart comedy despite its low budget. In fact, Mark Duplass said some great things at SXSW about getting out there and shooting your ideas, budget be damned.
“This is John” starts off simple enough. A guy gets home and decides to record a greeting on his answering machine. He goes on erasing and re-recording, seemingly never pleased with the message, a still a relatable thing to everyone who has had to set up a greeting on a new cell phone. As the film goes on, it becomes clear that this message isn’t as simple of a task as one would think, as it becomes clear that John has some very deep-rooted issues that are now deciding to surface.
This film is a really good example of the type of films that I like to cover in the Indie Intros section; one that shows that you don’t need money, fancy equipment or know some VIP to start a successful film career. Despite all the canards claiming it’s who you know and not what you know that garners success in film, it’s good to see that hard work and establishing a clear voice can open up just as many opportunities.